Get a Marie Denise Villers (1774-1821) Certificate of Authenticity for your painting (COA) for your Marie Denise Villers (1774-1821) drawing.

For all your Marie Denise Villers (1774-1821) artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Marie Denise Villers (1774-1821) Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Marie Denise Villers (1774-1821) painting or drawing.

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We have been authenticating Marie Denise Villers (1774-1821) and issuing certificates of authenticity since 2002. We are recognized Marie Denise Villers (1774-1821) experts and Marie Denise Villers (1774-1821) certified appraisers. We issue COAs and appraisals for all Marie Denise Villers (1774-1821) artworks.

Our Marie Denise Villers (1774-1821) paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Marie Denise Villers (1774-1821) certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

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You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Marie Denise Villers (1774-1821) paintings or drawings take longer.

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We perform Marie Denise Villers art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Marie Denise Villers or we will sell it for you.

Marie Denise Villers was a French portrait painter, born in Paris. Villers was born into an accomplished artistic family, and was a student of the French painter Girodet. She first exhibited at the Paris Salon in 1799.

Villers was also a student of Jacques-Louis David, and her most famous painting “Young Woman Drawing” was at one time attributed to him. This drawing is thought to be a self-portrait of Villers, and is housed at the Metropolitan Museum of Art.