Vasily Vasilievich Vereshagin (Also spelled Vereschagin or Vereshchagin) (1842-1904)

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Napoleon I Near Borodino, 1897

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Conquered

Vereshagin was a 19th century, Russian painter, known for his realistic history paintings and battle scenes. Vereshagin was a critic of war and violence and tried to show the destructive results of battle in his paintings.

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Apotheosis of War 1871

Vereshagin was born into a wealthy family in Cherepovets, Russia. At a young age Vereshagin was sent to the military training program, the Alexander Cadet School in Saint Petersburg. Vereshagin excelled in school and enrolled in the Naval Academy. While Vereshagin did well in naval training, his interest in the arts began to outshine his interest in the military. Vereshagin started his artistic training by taking night classes at the Saint Petersburg Academy of the Arts. After graduating from the Naval Academy, Vereshagin became a full-time art student.

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Scene of a hut in a field

Vereshagin, Rider, 1880

Rider, 1880

Vereshagin became dissatisfied with the rigid structure of the painting program in Russia and decided to transfer to the Academie des Beaux-Arts in Paris in 1864. In Paris Vereshagin was able to study under Jean Leon Gerome, who held a strong reputation in the art world.

Vereshagin, Portrait of Daghestan

Portrait of Daghestan

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Battlefield

Vereshagin, The Door of Khan

The Door of Khan

In search of a more exotic source of inspiration Vereshagin travelled to Caucasus, where he made numerous sketches of the people and culture. In 1867, Vereshagin continued to travel as a volunteer for the Russian army. Vereshagin was stationed in Turkestan, present day Kazakhstan, Turkmenistan and Uzbekistan. Vereshagin was awarded with the highest military decoration under the order of St. George.

Vereshagin, Picket in the Balkans

Picket in the Balkans

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Boat

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Sudden Attack

After completing his service, Vereshagin painted the war-based series, Rejoicing and Presenting the Trophies, in which Muslims boast decapitated heads of Russian soldiers. While Vereshagin meant for his paintings to be factual representations of the battles he had encountered, Russian authorities and commanders criticized his work as for being unpatriotic. Vereshagin was forced to destroy some of his more controversial work.

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Let Them In! 1871

Vereshagin, Dervishes 1870

Dervishes 1870

Despite Vereshagin’s opposition to war, he served a second time from 1877-78, in the Russo-Turkish war on the Balkan Peninsula. After fulfilling his military duty, Vereshagin again painted a series depicting his experiences in battle. The Balkan series was even more controversial and critical than his prior work. Alexander II greatly despised Vereshagin’s work and forced him to leave the country. Vereshagin proceeded to travel to India, where he depicted the negative implications of British colonialism. Vereshagin also travelled to Syria and Palestine, making work that was condemned by Catholic churches.

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Pause in the War 1873

By the 1890s Vereshagin was able to return to Russia and settled in Moscow. Vereshagin set up a studio and began a series documenting Napoleon’s unsuccessful Russian campaign and the War of 1812. After re-establishing himself as an artist in Russia, Vereshchagin began to travel again, journeying to the Philippines, the United States, Cuba, and Japan. Vereshagin’s life ended overseas during the Russo-Japanese war, when Vereshagin’s ship was wrecked after hitting a mine.

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Blowing from Guns in British India 1887

Vereshagin is one of the most important Russian realist artists of the 19th century. The controversial artist’s work is now in Russian museums and private collections. Do you think you own a painting by Vasily Vereshagin? Contact us. We are the experts on Vasily Vereshagin.


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