Get a Manuel Vega Lopez (1892-1954) Certificate of Authenticity for your painting (COA) for your Manuel Vega Lopez (1892-1954) drawing.

For all your Manuel Vega Lopez (1892-1954) artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Manuel Vega Lopez (1892-1954) Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Manuel Vega Lopez (1892-1954) painting or drawing.

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We have been authenticating Manuel Vega Lopez (1892-1954) and issuing certificates of authenticity since 2002. We are recognized Manuel Vega Lopez (1892-1954) experts and Manuel Vega Lopez (1892-1954) certified appraisers. We issue COAs and appraisals for all Manuel Vega Lopez (1892-1954) artworks.

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The Manuel Vega Lopez (1892-1954) certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

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You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Manuel Vega Lopez (1892-1954) paintings or drawings take longer.

Our clients include Manuel Vega Lopez (1892-1954) collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Manuel Vega Lopez art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Manuel Vega Lopez or we will sell it for you.

Manuel Vega Lopez was born in Pinar del Rio in 1892. He moved to Havana in 1908 and attended school at San Alejandro. He graduated in 1912, and traveled to Europe. There, he studied mainly in the Italian school of art where he painted a number of oil paintings.

In 1919, Lopez returned to Cuba. He became a professor at his Alma Matter, San Alejandro in 1926, teaching drawing and painting. Eventually, Lopez became the fourteenth director of this illustrious art school.

Lopez’s work is mainly poetic landscapes or religious themed scenes. He was also known for his intricate detail, and his love for painting nature.

Although it was popular to change styles during this period, Lopez did not sway from his classical style. The Vanguard movement was very strong, and Abstract and other new styles were on the rise. Nonetheless, Lopez stood his ground and stayed true to his Italian teachings by painting in a Realist way.

Despite hard times, Lopez always managed to sell his paintings during his lifetime. For this reason, most of his work is owned in private collections, and only a very few are housed in museums, such as Cuba’s Nation Museum. Like many Cuban painters, Lopez’s work isn’t generally well known—but a valuable piece of Cuban art history just the same.

His travels to Europe further increase the possibility of some of his art surfacing, unknown or otherwise unauthenticated.