Get a Gaspare Traversi (1722-1770) Certificate of Authenticity for your painting (COA) for your Gaspare Traversi (1722-1770) drawing.

For all your Gaspare Traversi (1722-1770) artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gaspare Traversi (1722-1770) Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gaspare Traversi (1722-1770) painting or drawing.

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We have been authenticating Gaspare Traversi (1722-1770) and issuing certificates of authenticity since 2002. We are recognized Gaspare Traversi (1722-1770) experts and Gaspare Traversi (1722-1770) certified appraisers. We issue COAs and appraisals for all Gaspare Traversi (1722-1770) artworks.

Our Gaspare Traversi (1722-1770) paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gaspare Traversi (1722-1770) certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gaspare Traversi (1722-1770) painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gaspare Traversi (1722-1770) paintings or drawings take longer.

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We perform Gaspare Traversi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Gaspare Traversi or we will sell it for you.

Gaspare Traversi was a Rococo painter best known for his genre works, and active both in his native city of Naples, but also painted throughout Italy, including a stay in Parma. He was active mainly between 1732-1769. He trained under Francesco Solimena. He was a contemporary of other Solimena pupils, Giuseppe Bonito (1707-1789), also a genre painter, and Francesco de Mura (1696-1784).

Traversi’s paintings typically depict animated groups of protagonists that seem squeezed into a pictorial space that can barely contain them. The scene is typically a dramatic dilemma or controversy. He is a Napolitan Crespi or Longhi, working in a Caravaggist style.