Get a Mario Tozzi (1895-1979) Certificate of Authenticity for your painting (COA) for your Mario Tozzi (1895-1979) drawing.

For all your Mario Tozzi (1895-1979) artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Mario Tozzi (1895-1979) Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Mario Tozzi (1895-1979) painting or drawing.

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We have been authenticating Mario Tozzi (1895-1979) and issuing certificates of authenticity since 2002. We are recognized Mario Tozzi (1895-1979) experts and Mario Tozzi (1895-1979) certified appraisers. We issue COAs and appraisals for all Mario Tozzi (1895-1979) artworks.

Our Mario Tozzi (1895-1979) paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Mario Tozzi (1895-1979) certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Mario Tozzi (1895-1979) painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Mario Tozzi (1895-1979) paintings or drawings take longer.

Our clients include Mario Tozzi (1895-1979) collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Mario Tozzi art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Mario Tozzi or we will sell it for you.

Mario Tozzi was an Italian Cubist painter and lithographer. He is typically known for creating brightly colored nudes in the traditional cubist style. However, early in his career, his Tozzi’s style was drastically different, and featured dramatic shadows and introspective portraits.

These early compositions also featured typical academic pieces, such as this still life painting of a pitcher: