Get a Van Rysselberghe Certificate of Authenticity for your painting (COA) for your Van Rysselberghe drawing.

For all your Van Rysselberghe artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Van Rysselberghe Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Van Rysselberghe painting or drawing.

If you want to sell your Van Rysselberghe painting or drawing use our selling services. We offer Van Rysselberghe selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Van Rysselberghe and issuing certificates of authenticity since 2002. We are recognized Van Rysselberghe experts and Van Rysselberghe certified appraisers. We issue COAs and appraisals for all Van Rysselberghe artworks.

Our Van Rysselberghe paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Van Rysselberghe certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Van Rysselberghe painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Van Rysselberghe paintings or drawings take longer.

Our clients include Van Rysselberghe collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Theo van Rysselberghe art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Theo van Rysselberghe or we will sell it for you.

Theo van Rysselberghe was a Belgian painter born in Ghent, Belgium and would become one of the greatest neo-Impressionists to have ever lived.. He received his training at the Academies de Ghent in Brussels, and exhibited there for the first time in 1881. Initially a Realist painter, after studying the works of the French Impressionists in the 1880’s, Rysselberghe formed a group of avant-garde intellectuals known as “Les-Vingt” (the twenty).

In 1886, he met and became friends with Georges Seurat and saw his now famous painting “A Sunday Afternoon at the Island of Grande Jatte.” This meeting turned Rysselberghe on to Pointillism, and he became the first to bring this new style of painting to Belgium. Rysselberghe abandoned Pointillism after Seurat’s death, and was highly criticized by friend and fellow painter Paul Signac for using the style in the first place. It is said that in Signac’s opinion, Rysselberghe only adopted Pointillism to bring himself commercial success.

Rysselberghe traveled quite extensively during his career, and visited Spain, North Africa, the Middle East and much of Europe. He finally settled in Paris in 1897. He also traveled several times to Morocco, which prompted him to paint exotic, Arabian compositions, and also ignited his obsession with the use of light. These paintings are extremely rare are some of only a very few Oriental scenes painted in the style of Pointillism. Rysselberghe completely stopped painting Oriental scenes after 1887.

Among his many landscapes and city scenes and interiors, Rysselberghe also painted many portraits, and continued to do so for the rest of his life. He was a talent scout and mentor for many other great artists, and was said to have helped Vincent van Gogh sell his only painting while he was alive. However, legend also has it that Rysselberghe made the mistake of his life in turning down the talents of a young Pablo Picasso, whose “blue period” work Rysselberghe called uninteresting and ugly.

Today, his work is housed all over the world, and perhaps in your own home. It is said that the majority of his works are in private collections, and are rarely seen, making it possible for just about anyone to own a piece of work by this great artist. Still wondering about a Dutch Pointillist painting in your family estate? Contact us…it could be by Theo van Rysselberghe.