Get a Antoniazzo Romano Certificate of Authenticity for your painting (COA) for your Antoniazzo Romano drawing.

For all your Antoniazzo Romano artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Antoniazzo Romano Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Antoniazzo Romano painting or drawing.

If you want to sell your Antoniazzo Romano painting or drawing use our selling services. We offer Antoniazzo Romano selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Antoniazzo Romano and issuing certificates of authenticity since 2002. We are recognized Antoniazzo Romano experts and Antoniazzo Romano certified appraisers. We issue COAs and appraisals for all Antoniazzo Romano artworks.

Our Antoniazzo Romano paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Antoniazzo Romano certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Antoniazzo Romano painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Antoniazzo Romano paintings or drawings take longer.

Our clients include Antoniazzo Romano collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Antoniazzo Romano art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Antoniazzo Romano or we will sell it for you.

Antoniazzo Romano, born Antonio di Benedetto Aquilo degli Aquili, was an Italian Early Renaissance painter, the leading figure of the Roman school during the 15th century. Antoniazzo was born in the Colonna quarter of Rome. He was influenced at first by the decorative manner of Benozzo Gozzoli and Beato Angelico, as well as by the local painters of Lazio. His first recorded work is from 1461, a replica (untraced) of the miraculous Virgin and Child of St. Luke in the Basilica of Santa Maria Maggiore of Rome, for the seignor of Pesaro, Alessandro Sforza.

From 1464 he worked for the papal court, producing at first a triptych of the Virgin and Child with Saints in Rieti. In 1467 he completed the decoration of the funerary chapel of Cardinal Bessarion in the church of Santi Apostoli of Rome, not far from his birthplace. In the centre of the decoration was an icon of the Virgin, now in the Chapel of St Anthony, a copy of the Byzantine icon in the Santa Maria in Cosmedin, the church of the Greeks in Rome. This icon in the Santi Apostoli is one of the most remarkable examples of Antoniazzo’s considerable production of Virgins, generally taken from Byzantine models: he was indeed a much sought-after copier of icons. Later he worked to a series of frescoes in the Monastery of Tor de’ Specchi in Rome, featuring stories of the life of S. Francesca Romana, and to the decoration of the public rooms of the Palazzo Venezia.

In the 1470s Antoniazzo worked to the decoration of the Vatican Palace with artists like Perugino, Melozzo da Forlì and Ghirlandaio. Through their influence his figures acquired gentler expressions and their garments were ornamented with decorative patterns, though always retaining several Medieval features.

Together with Melozzo he worked to frescoes in Santa Maria sopra Minerva, and subsequently painted for that church a famous Annunciation (1482). In the years between 1475 and 1480 Antoniazzo’s production of altarpieces and panels with images of the Virgin increased as a result of the encouragement of the cult of the Virgin by Pope Sixtus IV. His later works show an increasing mannerism in their features, which were later imitated by several painters, whose works had been often attributed to the master.

Antoniazzo was one of the three founders of the Compagnia di San Luca, the guild of painters and illuminators in Rome, and signed the statutes in 1478.

A portion of his Madonna and Child with Donor from the Houston, Texas Museum of Fine Arts was chosen as the art masterpiece United States Postal Service’s Christmas stamp for 1991.

Still wondering about an Italian painting in your family collection? Contact us…it could be by Antoniazzo Romano.