Get a Reinagle Certificate of Authenticity for your painting (COA) for your Reinagle drawing.

For all your Reinagle artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Reinagle Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Reinagle painting or drawing.

If you want to sell your Reinagle painting or drawing use our selling services. We offer Reinagle selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Reinagle and issuing certificates of authenticity since 2002. We are recognized Reinagle experts and Reinagle certified appraisers. We issue COAs and appraisals for all Reinagle artworks.

Our Reinagle paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Reinagle certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Reinagle painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Reinagle paintings or drawings take longer.

Our clients include Reinagle collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Ramsay Reinagle art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Ramsay Reinagle or we will sell it for you.

Ramsay Richard Reinagle was an English portrait, landscape, and animal painter, and son of Philip Reinagle. He was a pupil of his father, whose style he followed, and he exhibited at the Royal Academy as early as 1788. He afterwards went to Italy, and was studying in Rome in 1796. Subsequently he visited Holland in order to study from the Dutch masters. After his return home he painted for a time at Robert Barker’s panorama in Leicester Square, and then entered into partnership with Thomas Edward Barker, Robert’s eldest son, who was not himself an artist, in order to erect a rival building in the Strand. They produced panoramas of Rome, the Bay of Naples, Florence, Gibraltar, Algeciras Bay, and Paris, but in 1816 disposed of their exhibition to Henry Aston Barker and John Burford

In 1805 Reinagle was elected an associate of the Society of Painters in Watercolours, and in 1806 a member. He became its treasurer in 1807, and was president from 1808 to 1812 Between 1806 and 1812 he sent to its exhibitions sixty-seven drawings, mostly Italian landscapes and scenery of the English lakes. During the same period he exhibited portraits and landscapes in oil at the Royal Academy, of which he became an associate in 1814, and an academician in 1823. He was a clever copyist of the old masters, and is said to have been much employed by a picture-dealer in restoring and ‘improving ‘ their works.

In 1848 he sent to the Royal Academy exhibition as his own work a small picture of ‘Shipping a Breeze and Rainy Weather off Hurst Castle’ painted by a young artist named J. W. Yarnold, which he had purchased at a broker’s shop, and in which he had made some slight alterations. Attention was called to the imposition, and a full inquiry made by the academy resulted in his being called upon to resign his diploma as a royal academician. In 1850 he published in the ‘Literary Gazzette’ two letters in which he unsuccessfully endeavored to exculpate himself.

He continued to exhibit at the academy until 1857, but in his later years sank into poverty, and was assisted by a pension from the funds of the academy. He died at Chelsea on 17 November 1862. His youngest son, George Philip Reinagle succeeded him as a painter.

There are by Reinagle in the Victoria and Albert Museum a small oil-painting of ‘Rydal Mountains’ and seven landscapes in water-colours. The Bridgewater and Grosvenor Galleries had each a landscape by him, and there is in the National Gallery of Scotland a fine copy of the ‘Coup de Lance’ by Rubens. Three plates, ‘Richmond’, ‘Sion House,’ and ‘The Opening of Waterloo Bridge’ in W. B. Cooke’s The Thames were engraved after him by Robert Wallis, and many of the illustrations in Peacock’s Polite Repository from 1818 to 1830, were engraved by John Pye from his designs. There is also a view of ‘Haddon Hall’ engraved by Robert Wallis, in the ‘Bijou ‘ for 1828, and one of ‘Bothwell Castle’ engraved by Edward Finden, in Tillotson’s Album of Scottish Scenery, 1860. Reinagle wrote the scientific and explanatory notices to Turner’s Views in Sussex published in 1819, and the life of Allan Ramsay in Allan Cunningham’s Lives of the British Painters.

Still wondering about a British painting in your family collection? Contact us…it could be by Ramsay Reinagle.