Get a Naldini Certificate of Authenticity for your painting (COA) for your Naldini drawing.

For all your Naldini artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Naldini Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Naldini painting or drawing.

If you want to sell your Naldini painting or drawing use our selling services. We offer Naldini selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Naldini and issuing certificates of authenticity since 2002. We are recognized Naldini experts and Naldini certified appraisers. We issue COAs and appraisals for all Naldini artworks.

Our Naldini paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Naldini certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Naldini painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Naldini paintings or drawings take longer.

Our clients include Naldini collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Giovanni Battista Naldini art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Giovanni Battista Naldini or we will sell it for you.

Giovanni Naldini was an Italian painter of the Late Mannerism in Florence. His first apprenticeship (1549-57) was in the studio of Jacopo Pontormo, and he went to Rome for a number of months following 1560. There, he was recruited to work for Giorgio Vasari in 1562. He painted two crowded, Mannerist canvases for the Studio of Francesco I in the Palazzo Vecchio, which were The Allegory of Dreams and The Gathering of Ambergris.

He supplied altarpieces for Santa Maria Novella and Santa Croce and also painted an altarpiece of the calling of Saint Matthew for the Salviati Chapel in San Marco, where he worked alongside Francesco Morandini. Ultimately, he is aptly described by Freedberg as displaying work distantly derivative from the style of Andrea del Sarto, as expressed by Naldini’s two mentors and Sarto’s two pupils: Pontormo and Vasari. Among his pupils was the Cavalieri Francesco Currado.

Still wondering about an Italian painting in your family collection? Contact us… we are the Giovanni Naldini experts.