Get a Gris Certificate of Authenticity for your painting (COA) for your Gris drawing.

For all your Gris artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Gris Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gris painting or drawing.

If you want to sell your Gris painting or drawing use our selling services. We offer Gris selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gris and issuing certificates of authenticity since 2002. We are recognized Gris experts and Gris certified appraisers. We issue COAs and appraisals for all Gris artworks.

Our Gris paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gris certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gris painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gris paintings or drawings take longer.

Our clients include Gris collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Juan Gris art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Juan Gris or we will sell it for you.

Juan Gris was born Jose Victoriano Gonzalez-Perez in Madrid, Spain. He was originally trained in mechanical drawing at the Escuela de Artes y Manufacturas in Spain. In 1905, he also studied art under Jose Maria Carbonero. In his early days as an artist, Gris submitted sketches and paintings to magazines in a style completely different from Cubism that featured the Parisian elite in an Oriental style, as well as caricatures.

By 1910, Gris began to take his painting more seriously, and during this time he made friends with Georges Braque, another leading Cubist. He was also friends with Matisse and Modigliani, and admired and worked with Picasso, whose Cubist portrait he painted in 1912.

It is said that this is one of the most important paintings from the early days of Cubism, and showed Gris’ great respect for Picasso. However, as art aficionado Gertrude Stein once commented, Gris was someone that Picasso would gladly have wiped off the map.

Gris painted in both analytic and synthetic Cubism in a style completely different from most other Cubists at the time. While Braque and Picasso were painting their compositions in one color, Gris harkened on inspiration from friend and fellow painter Matisse and made his Cubist paintings colorful and lively.

Another way that Gris separated himself from other painters was by his use of papier colle, a type of collage art. This was a part of his synthetic experimentation with Cubsim, in which he would use labels, cards, and newspaper and magazine clippings and incorporate them into his compositions.

During his lifetime, Gris also created set designs for the Russian ballet. He died at the very young age of 40, his last known work begin “Woman with a Basket”.

As one can see, Gris was again moving towards a more sophisticated style of Cubism at the time of his death. Who knows what kind of movement could have been created if his life wasn’t tragically cut short?

Gris’ synthetic Cubist styles are well-known, and most are likely in public collections, and some of his paintings fetch millions of dollars at auction. However, his earliest paintings and compositions created in his final days may still be somewhere, unauthenticated and otherwise unknown. Still wondering about your mysterious Cubist painting? It may be by Juan Gris. Contact us to find out.