Get a Granacci Certificate of Authenticity for your painting (COA) for your Granacci drawing.

For all your Granacci artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Granacci Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Granacci painting or drawing.

If you want to sell your Granacci painting or drawing use our selling services. We offer Granacci selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Granacci and issuing certificates of authenticity since 2002. We are recognized Granacci experts and Granacci certified appraisers. We issue COAs and appraisals for all Granacci artworks.

Our Granacci paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Granacci certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Granacci painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Granacci paintings or drawings take longer.

Our clients include Granacci collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Francesco Granacci art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Francesco Granacci or we will sell it for you.

Francesco Granacci was an Italian painter of the Renaissance. Born at Villamagna di Volterra, he trained in Florence at the studio of Domenico Ghirlandaio, and was employed in frescoes for San Marco on commission of Lorenzo de’Medici. He is featured in Giorgio Vasari’s Vite.

His early works were influenced from the style of Filippino Lippi, like the Enthroned Madonna between Saint Michael and John the Baptist (Staatliche Museen, Berlin), Adoration of the Child (Honolulu Academy of Arts) and four histories of Saint John the Baptist.

In 1508, Gramacci went to Rome, where, with other artists, he helped Michelangelo transfer cartoons to the Sistine chapel ceiling. Returning to Florence, he painted a Madonna with Child with Saints Francesco and Jerome for the convent of the Saint Agostiniani of San Gallo (now in the Gallery of the Academy), a Madonna della Cintola for the Company of San Benedetto Bigi, and in 1515 he participated in the decorations to celebrate the visit to Florence of Pope Leo X.

In 1519, he painted a Madonna with Child and Saint John. Works between 1520-1525, betray a direct infuence of Fra Bartolomeo, including a Madonna in throne between Saints Sebastiano and Francesco for Castelfiorentino, Sacred Conversation for Montemurlo), while and altarpiece of the Assumption is is influenced by Pietro Perugino. In 1527, he paints the Entrance of Charles VIII into Florence and a canvas of the Ten thousand martyrs for the Church of San Simone e Giuda in Florence. He is buried in the church of Sant’Ambrogio in Florence.

Still wondering about an Italian painting in your family collection? Contact us…it could be by Francesco Granacci.