Get a Gerome Certificate of Authenticity for your painting or a COA for your Gerome drawing or sculpture.

For all your Gerome artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Gerome Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Gerome painting, drawing or sculpture.

If you want to sell your Gerome painting, drawing or sculpture use our selling services. We offer Gerome selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Gerome and issuing certificates of authenticity since 2002. We are recognized Gerome experts and Gerome certified appraisers. We issue COAs and appraisals for all Gerome artworks.

Our Gerome paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Gerome certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Gerome painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Gerome paintings, drawings or sculpture take longer.

Our clients include Gerome collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Jean Leon Gerome art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests , full art authentications. We will help you sell your Jean Leon Gerome or we will sell it for you.

Jean Leon Gerome was a painter and a sculptor. He went to Paris in 1841, and was a student of Paul Delaroche and Charles Gleyre. He inherited the highly finished academic style of Paul Delaroche and at first established himself as a Neo Classical painter.

He traveled to Italy with Paul Delaroche in 1844, and 1845, and on his return he exhibited the painting, ‘The Cock Fight’ at the salon for which he was awarded a Third Class medal. In 1848, he won Second Class medals with paintings such as, ‘Bacchus and Cupid’ and, ‘The Virgin with Christ’. In 1855, he traveled to Turkey to make some studies for a commission and became both enthralled and entranced by the region. He was to return there again and also traveled to Egypt and Algeria. He was to become a leading exponent of the Orientalist art movement in France.

A number of his Orientalist paintings such as, ‘The Guard of Harem,’ which was produced in 1859, and ‘The Draught Players’ can be seen at the Wallace collection in London which has one of the most extensive collection of Orientalist art in Europe. One particularly magnificent painting of his, in the Orientalist style is ‘Complicity.’ This painting shows a man dressed in a vivid orange robe and turban, with his dogs, and pistols in a holster hanging around his waste. There is no doubt that in his paintings, Gerome managed successfully to portray the vibrancy and exoticicsm of the Orient.

Gerome is also particularly well known for the painting he created recounting the Greek Myth of ‘Pygmalion and Galeta’. There are two versions of this myth but the most commonly told is the following, which helps with the understanding of this painting. Pygmalion was the King of Cyprus. He created a life like statue of his ideal woman. He called the statue ‘Galeta’, however, what he created in statue for was so beautiful, he fell in love with it! Aphrodite, the Goddess of love and beauty took pity on the lovesick Pygmalion and transformed Galeta into a living woman and presided over the marriage of the two. The painting can be seen at the Metropolitan Museum of Art in New York, which also has other paintings by Jean Leon Gerome.

As well as a painter, Gerome was also a gifted Sculptor and some of his creations include ‘Omphale’ and ‘Bellona’. Bellona was a particularly beautiful work made of ivory, metal and precious stones which was also exhibited at the Royal Academy in London where it caused something of a sensation. He also produced a statue of the Duc d’Aumale which stands in front of the Chateau of Chantilly in France. In later life he produced a series of conquerors wrought in gold silver and gems, such as, ‘Bonaparte entering Cairo’ and ‘Frederick the Great’.

Students who studied under him include, Jean-Jules-Antoine Lecomte de Nouy. Other painters of the time who specialised in Orientalism, include, Emile Jean Horace Vernet, Alexandre Gabriel Decamps, Prosper Marilhat, Charles Theodore Frere and Alexandre Bida.