Get a Garofalo Certificate of Authenticity for your painting (COA) for your Garofalo drawing.

For all your Garofalo artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Garofalo Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Garofalo painting or drawing.

If you want to sell your Garofalo painting or drawing use our selling services. We offer Garofalo selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Garofalo and issuing certificates of authenticity since 2002. We are recognized Garofalo experts and Garofalo certified appraisers. We issue COAs and appraisals for all Garofalo artworks.

Our Garofalo paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Garofalo certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Garofalo painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Garofalo paintings or drawings take longer.

Our clients include Garofalo collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Il Garofalo art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Il Garofalo or we will sell it for you.

Benvenuto Tisi, or Il Garofalo, was a Late Renaissance-Mannerist Italian painter of the School of Ferrara. Garofalo’s career began in the court of the Duke d’Este. His early works have been described as “idyllic”, but they often conform to the elaborate conceits favored by the artistically refined Ferrarese court.

Born in Ferrara, Garofalo is claimed to have apprenticed under Panetti, and perhaps Costa, and was a contemporary of Dosso Dossi and sometimes collaborator. In 1495, he worked at Cremona under Boccaccino, who initiated him into Venetian colouring. He may have spent three years (1509-1512) in Rome. This led to a classical style, more influenced by Giulio Romano.

Even his least successful works retain, amid their frigid and porcelain quality, a harmony which marks Venetian colouring. His youthful works include the Boar Hunt in the Palazzo Sciarra. Later, the Knight’s Procession in the Palazzo Colonna in Rome — gave promise of an Italianate Cuyp, less commonplace and more romantic and refined than the Dutch artist.

His youthful works, such as The Boar Hunt in the Palazzo Sciarra and The Virgin in the Clouds with Four Saints (1518) in the Academy of Fine Arts in Venice are among his masterpieces. The Pietà (1527) in the Brera Gallery in Milan reveals an increasingly stylized treatment. The Madonna (1532) in the Modena Gallery is a charming picture; however, the large Triumph of Religion in the Atheneum at Ferrara has been described as a “bookish” affair, whose episodes are difficult to elucidate. Garofalo is one of the painters known and described by Vasari. From 1550 until his death, Garofalo was blind. In 1520, Girolamo da Carpi is said to have apprenticed in Garofalo’s workshop and worked with him on the Ferrarese projects from 1530-1540.

Anthology of works:

• Madonna and Child (1510) – Galleria dell’Arte Studiolo, Milan
• Holy Family – Musee de Angers
• Adoration of the Child (1508-1509) – Pinacoteca Nazionale, Ferrara
• Neptune and Pallas (1512) – Art Gallery, Dresden
• Madona delle Nuvole (1514) – Pinacoteca Nazionale, Ferrara
• Madonna del Baldacchino (1517) – National Gallery, London
• Massacre of the Innocents (1519) – Pinacoteca Nazionale, Ferrara
• Madonna del Pilastro (1523) – Pinacoteca Nazionale, Ferrara
• Madonna Enthroned with Saints (1524) – Duomo, Ferrara
• Madonna in Glory (1532) – Musei Capitolini, Rome
• St. Sebastian – Museo di Capodimonte, Naples
• Madonna Enthroned with Saints
• Annunciation (1528) – Musei Capitolini, Rome
• Madonna Enthroned with Saints (1532) – Modena
• Raising of Lazarus (1534) – Pinacoteca Nazionale, Ferrara
• Washing the Feet of Christ – National Gallery, Washington DC
• Blessing of Saint John the Baptist (1542) – San Salvatore, Bologna
• Annunciation (1550) Pinacoteca di Brera, Milan
• The Virgin and Child with Saints Dominic and Catherine of Siena (c. 1500-1505) – National Gallery, London
• The Madonna and Child Enthroned with Saints William of Aquitaine, Clare, Anthony of Padua and Francis (1517-1518) – National Gallery, London
• A Pagan Sacrifice (1526) – National Gallery, London
• The Holy Family with Saints John the Baptist, Elizabeth, Zacharias and (?) Francis (1520) – National Gallery, London
• Saint Catherine of Alexandria (c. 1515-1530) – National Gallery, London
• The Agony in the Garden (1520s-1530s) – National Gallery, London
• The Vision of Saint Augustine (c. 1518) – National Gallery, London
• An Allegory of Love (c. 1527-1539) – National Gallery, London
• Christ and the Samaritan Woman (1536)
• Madonna with Saint John and Saint Elisabeth – Courtauld Institute, London
• Jesus in the Orchard
• The Triumph of Bacchus (1517 unfinished draft by Raffael, 1540 finished by Garofalo) – Gemäldegalerie Alter Meister, Dresden, Germany
• Holy Family
• Mars, Venus and Cupido – Wawel Royal Castle, Krakow

Still wondering about an Italian painting in your family collection? Contact us…it could be by Il Garofalo.