Lucio Fontana (1899 – 1968)

Get a Fontana Certificate of Authenticity for your painting or a COA for your Fontana drawing or sculpture.

For all your Fontana artworks you need a Certificate of Authenticity in order to sell, to insure or to donate for a tax deduction.

How to get a Fontana Certificate of Authenticity is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Fontana painting, drawing or sculpture.

If you want to sell your Fontana painting, drawing or sculpture use our selling services. We offer Fontana selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Fontana and issuing certificates of authenticity since 2002. We are recognized Fontana experts and Fontana certified appraisers. We issue COAs and appraisals for all Fontana artworks.

Our Fontana paintings, drawings and sculptures authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Fontana certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Fontana painting, drawing or sculpture anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Fontana paintings, drawings or sculpture take longer.

Our clients include Fontana collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Lucio Fontana art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Lucio Fontana or we will sell it for you.

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Blue Composition

Lucio Fontana was a painter and sculptor born in Rosario, province of Santa Fe, Argentina, the son of an Italian father and an Argentine mother. Fontana spent the first years of his life in Italy and came back to Argentina in 1905, where he stayed until 1922, working as a sculptor along with his father and then on his own.

In 1928 he returned to Italy, and there he presented his first exhibition in 1930, organized by the Milano art gallery Il Milione. During the following decade he journeyed Italy and France, working with abstract and expressionist painters.

In 1940 he returned to Argentina. In Buenos Aires (1946) he founded the Altamira academy together with some of his students, and made public the White Manifesto, where he states that “Matter, color and sound in motion are the phenomena whose simultaneous development makes up the new art”. Back in Milano in 1947, he supported, along with writers and philosophers, the first manifesto of spatialism (Spazialismo). He also resumed his ceramics works in Albisola.

From 1958 on he started the so-called slash series, consisting in holes or slashes on the painting surface, drawing a sign of what he named “an art for the Space Age”. In 1959 he exhibited cut-off paintings with multiple combinable elements (he named the sets quanta). He participated in the Bienal de São Paulo and in numerous exhibitions in Europe (including London and Paris) and Asia, as well as New York.

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Concetto Spazial 1961

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Concetto Spaziale, 1962

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Concetto Spazial 1964

Shortly before his death he was present at the “Destruction Art, Destroy to Create” demonstration at the Finch College Museum of New York. Then he left his home in Milano and went to Comabbio (in the province of Varese, Italy), his family’s mother town, where he died in 1968.

Fontana’s works can be found in the permanent collections of more than one hundred museums around the world. He was the sculptor of the bust of Ovidio Lagos, founder of the La Capital newspaper, in Carrara marble.

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Spatial Concept, Nature, Sculpture 1961

Still wondering about an Italian painting in your family collection? Contact us…it could be by Lucio Fontana.


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