Get a Daniell Certificate of Authenticity for your painting (COA) for your Daniell drawing.

For all your Daniell artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Daniell Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Daniell painting or drawing.

If you want to sell your Daniell painting or drawing use our selling services. We offer Daniell selling help, selling advice, private treaty sales and full brokerage.

We have been authenticating Daniell and issuing certificates of authenticity since 2002. We are recognized Daniell experts and Daniell certified appraisers. We issue COAs and appraisals for all Daniell artworks.

Our Daniell paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Daniell certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Daniell painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Daniell paintings or drawings take longer.

Our clients include Daniell collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Thomas Daniell art authentication. appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Thomas Daniell or we will sell it for you.

Thomas Daniell was an English landscape painter. He was born at the Chertsey inn, kept by his father, in 1749, and apprenticed to an heraldic painter. Daniell, however, was animated with a love of the romantic and beautiful in architecture and nature. Up to 1784 he painted topographical subjects and flower pieces. By this time his two nephews had come under his influence, the younger, Samuel, being apprenticed to Medland the landscape engraver, and the elder, William, being under his own care.

That same year (1784) he embarked for India accompanied by William, and found at Calcutta ample encouragement. Here he remained ten years, and on returning to London he published his largest work, Oriental Scenery, in six large volumes, not completed till 1808. From 1795 until 1828 he continued to exhibit Eastern subjects, temples, jungle hunts, &c., and at the same time continued the publication of illustrated works. These are Views of Calcutta; Oriental Scenery, 144 plates; Views in Egypt; Excavations at Ellora; Picturesque Voyage to China. These were for the most part executed in aquatint.

He was elected an Academician in 1790, fellow of the Royal Society of Arts about the same time, and at different times member of several minor societies. His nephews both died before him; his Indian period had made him independent, and he lived a bachelor life in much respect at Kensington till his death.

Still wondering about a British painting in your family collection? Contact us…it could be by Thomas Daniell.