Thomas Chambers (1808-1866)

Get a Chambers Certificate of Authenticity for your painting (COA) for your Chambers drawing.

For all your Chambers artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

Getting a Chambers Certificate of Authenticity (COA) is easy. Just send us photos and dimensions and tell us what you know about the origin or history of your Chambers painting or drawing.

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We have been authenticating Chambers and issuing certificates of authenticity since 2002. We are recognized Chambers experts and Chambers certified appraisers. We issue COAs and appraisals for all Chambers artworks.

Our Chambers paintings and drawings authentications are accepted and respected worldwide.

Each COA is backed by in-depth research and analysis authentication reports.

The Chambers certificates of authenticity we issue are based on solid, reliable and fully referenced art investigations, authentication research, analytical work and forensic studies.

We are available to examine your Chambers painting or drawing anywhere in the world.

You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Chambers paintings or drawings take longer.

Our clients include Chambers collectors, investors, tax authorities, insurance adjusters, appraisers, valuers, auctioneers, Federal agencies and many law firms.

We perform Thomas Chambers art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Thomas Chambers or we will sell it for you.

The Connecticut Valley. Oil on canvas. 18 x 24. NGA.

The Connecticut Valley. Oil on canvas. 18 x 24. NGA.

Thomas Chambers, American (1808-1866) was born in England, migrating to New York City in 1832. He lived in Boston from 1843 to 1851, then Albany from 1852 to 1857. He spent his last years in New York City. Chambers was without doubt self-taught, and is classed variously as a naïve painter or folk artist?. In later life he described himself as a marine artist, but is also well-known for his landscapes and is known to have painted portraits. Chambers is best-known for his rhythmic, bold colorful style, better suited to maritime scenes than the subtleties of landscape. He often did not sign or date his works and has been described as enigmatic, a euphemism for a lack of documentary information. This dearth of evidence is what one would expect of a naïve artist who was not in any sense part of the academic art establishment.

Lake George and the Village of Caldwell. C 1850. Oil on canvas. 22 x 30. NGA.

Lake George and the Village of Caldwell. C 1850. Oil on canvas. 22 x 30. NGA.

New York Harbor with Pilot Boat. Oil on canvas. 22 x 30. NGA.

New York Harbor with Pilot Boat. Oil on canvas. 22 x 30. NGA.

Generally speaking, Chambers is classed as a Hudson River School artist, as many of his landscapes were aimed at the burgeoning market in Romantic yet convenient wilderness/agricultural views of the mid-19th century.

Mt. Auburn Cemetery. Oil on canvas. 14 x 18. NGA.

Mt. Auburn Cemetery. Oil on canvas. 14 x 18. NGA.

Untitled. Oil on canvas. 22 x 30.

Untitled. Oil on canvas. 22 x 30.

Hudson

Hudson

Note that Chambers is often confused with his namesake Thomas Chambers, a professionally-trained English genre painter who flourished 1849-1858. Their styles have absolutely nothing in common.

Are you still wondering about a painting in your collection Contact usit could be by Thomas Chambers.

 Pirate ship

Pirate ship

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