Get a Jan Frans van Bredael (1683-1750) Certificate of Authenticity for your painting (COA) for your Jan Frans van Bredael (1683-1750) drawing.

For all your Jan Frans van Bredael (1683-1750) artworks you need a Certificate of Authenticity (COA) in order to sell, to insure or to donate for a tax deduction.

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We have been authenticating Jan Frans van Bredael (1683-1750) and issuing certificates of authenticity since 2002. We are recognized Jan Frans van Bredael (1683-1750) experts and Jan Frans van Bredael (1683-1750) certified appraisers. We issue COAs and appraisals for all Jan Frans van Bredael (1683-1750) artworks.

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You will generally receive your certificates of authenticity and authentication report within two weeks. Some complicated cases with difficult to research Jan Frans van Bredael (1683-1750) paintings or drawings take longer.

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We perform Jan Frans van Bredael art authentication, appraisal, certificates of authenticity (COA), analysis, research, scientific tests, full art authentications. We will help you sell your Jan Frans van Bredael or we will sell it for you.

Jan Frans van Bredael was a Flemish painter, born in Antwerp, Belgium. He was the son of painter Alexander van Bredael, whom he most likely received his first training from. He came from a family of painters in fact, as his grandfather Pieter was also an artist, as well as his cousin, Joseph. Lesser known, but also notable was his son, Jan Frans van Bredael the younger, also a painter. These van Bredael’s were formerly known as “Breda” until it was discovered that Jan Frans finished their name with an “l” on a painting owned by an Amsterdam gallery.

Though he was a talented artist, some may say that the younger van Bredael was not an original artist. Art historians say that he imitated the style of Breughel and Wouverman so well that even the most experienced and knowledgeable experts were unable to distinguish his copies from their originals. These were generally landscapes of cities on the riverbank, bustling with action and lively figures, as well as scenes of wartime and cavalry. Although most of these pictures were painted in the 18th century, some featured figures shown in early 17th century attire, which is a sure sign of the inspiration (or even a copy of) the works of the Old Master Brueghel. Van Bredael also painted his lively waterfront country scenes in oil on copper, as opposed to board or canvas, making him very unique in terms of the materials that he used.

Early in his career, he visited England where he received continuous commissions. One of his most frequent and prominent patrons was the Earl of Derwentwater. Van Bredael was so successful that after only a few short years he was able to retire to his home country after only a few years. He died in Paris while under the commission of the Duc d’Orleans.